https://doi.org/10.12816/0058850

Abstract:

This study seeks to reveal the remarkable presence of women in love poetry in the pre-Islamic era and the beginning of Islam, especially platonic love poetry, because women in this aspect are beloved and lovers, while they were only adored and beloved; as she revealed her emotions, and expressed her feelings with boldness and clarity, as well the nature of her emotional experience and philosophy, and her vision of the surrounding environment.

The study is divided into an introduction, which dealt with the importance of the study, its objectives, methodology, limits, and previous relevant studies. It includes a preface presenting the rights of woman to express her emotions and feelings, and what she feels within herself of obsessions of love and passion, and from here she sang her emotions, and she healed der feelings, without any embarrassment or hesitation. This is with two sections, the first: tackles the models of women love poetry, in both thematic and psychological terms. The second section addresses the most important artistic and thematic characteristics that were available in these models. The conclusion gives the most important results of the study in conclusive statements. Finally, a list of the sources and references that are used in the study follows.

Keywords: Women, Frank Spinning, Virginal Spinning, Pre-Islamic Era, Early Islam, Technical and Objective Characteristics.

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