vol 21 no1,2021

Phonemic Composition in Standard Poetry In the divan (Concerned I Am) by (Abdul Rahim Jadaya) as a Model

 

Phonemic Composition in Standard Poetry In the divan (Concerned I Am) by

(Abdul Rahim Jadaya) as a Model

Hussam (Mohammad Azmi) AL-Affouri                                      Abdullah Omar Mohammad Alkhateeb
Faculty of Arts and Humanities                                                      Faculty of Arts and Humanities  
                   Arab Open University                                                      International Islamic Science University  
This email address is being protected from spambots. You need JavaScript enabled to view it.
Received:03/02/2020                                                                                                             Accepted:09/06/2020

Abstract:

The contemporary poet has benefited from the multiplicity of images of deviation, the advantages and defects of the rhyme, and whatever enters into the poetry from various defects, such as: rotation and inclusion, and other attribution, delaying, and strengthening, and this is what made the poet use tools to master them, as he found the opportunity to hold it and put it in its right place as he desires it. The phonemic composition of the standard poem, the music and the acoustic rhythm, became an aesthetic pattern that appears to some contemporary poets, including the poet Abdul Rahim Jadaya in his collection (Concerned I Am).

This called researchers to extrapolate some models of this phenomenon, and to monitor and study it to show the musical and rhythmic coloring of the parts of the poem with its new phonetic composition.

As for the research methodology, the two researchers relied on the descriptive and applied approach to the text, in the study of relevant models.

Keywords: (Formation, Audio, Activation, Creeping).

pdfDownload 

All articles in Zarqa Journal for Research and Studies in Humanities are published under an open access Creative Commons CC BY 4.0 license.

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License